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Model: Kami 20191121 186 Kami.JPG
Sword shoot on the beach with Mette Brands, @mettejorien. 20200723 Mette 378.JPG
Sunset shoot with Mette Brands (@mettejorien). 20200723 Mette 043
Water shoot with sword on the beach with Mette Brands (@mettejorien) 20200723 Mette 407.JPG
Water shoot on the beach with sword. Model: @artbysurya 20200625 Surya 068.JPG
Sunset shoot with Mette Brands (@mettejorien). 20200723 Mette 280
Sunset shoot with Mette Brands (@mettejorien). 20200723 Mette 334
Water shoot on the beach with sword. Model: @artbysurya 20200626 Surya 096.JPG
Water shoot on the beach with sword. Model: @artbysurya 20200625 Surya 067.JPG
Attraction and armor. Thumbtack shoot with @artbysurya 20200702 Surya 204.JPG
Water shoot on the beach with @artbysurya (Instagram). 20200625 Surya 027.JPG
Water shoot on the beach with @artbysurya 20200625 Surya 037.JPG
Underwater shoot with Emma Jeannet. 20150418 044c underwater Emma Jeannet
Underwater shoot with Matilda 20191025 062 Matilda.JPG
Studio shoot with Sensual Diva (Purpleport) 20200505 sensual diva comp 3
Studio shoot with Sensual Diva (Purpleport) 20200505 sensual diva comp 2
Studio shoot with Sensual Diva (Purpleport). 20200505 sensual diva comp 1
Studio shoot with Sensual Diva (Purpleport). 20200505 sensual diva comp 4
Attraction and armor. Thumbtack shoot with @artbysurya 20200702 Surya 120.JPG
Attraction and armor. Thumbtack shoot with @artbysurya 20200702 Surya 377.JPG
Fire-shoot on the beach with Anna van Hoek (Modelmanagement.com). 20200526 Anna 102b
Water shoot on the beach with Britt Eerland, Dutch table tennis olympian (britteerland.nl). 20200521 Britt 421_2.JPG
Water shoot on the beach with Britt Eerland, Dutch table tennis olympian (britteerland.nl). 20200521 Britt 421 copy_1.JPG
Sand shoot on the beach with Britt Eerland (britteerland.nl), Dutch table tennis olympian. This time in a more elegant outfit. 20200521 Britt 359b1
Sand shoot on the beach with Britt Eerland, Dutch table tennis olympian (britteerland.nl). 20200521 Britt 380_5.JPG
Water shoot on the beach with Edel (modelmanagement.com). 20200508 Edel 009.JPG
Water shoot on the beach with Mwavita (modelmanagement.com). 20200502 312 Mwavita.JPG
Water shoot on the beach with Mwavita. 20200502 273b Mwavita
Water shoot on the beach with Mwavita Rumerezi (modelmanagement.com) 20200502 272c Mwavita
Long exposure with a lightbrush. Model: Leo 20200315 160 Leo.JPG
Fire shoot on the beach. 20200325 138.JPG
Sunset fire shoot. 20200325 132
Location This shot was taken in my studio in Rijswijk, The Netherlands. It's basically an unused office floor with all the charm thereof. Time As the studio cannot be darkened, I met with Leo after sunset. Lighting The model danced between two permanent lights (strong LEDs with a standard reflector plus honeycomb) during a long exposure. Two studio flashes (also with honeycomb) were fired on the second curtain. Make sure no light spills on your background. Equipment Two 150W permanent LEDs with standard reflector and honeycomb, two studio flashes with tele-reflector and honeycomb. The camera (Nikon D800) was on a low tripod, almost on the ground. The camera was in bulb-mode and triggered with a remote release. The flashes were fired on the second curtain by radiotrigger. I used 85mm and / or 70-200 lenses. The background was a combination of black paper and black cloth. Inspiration I love the visualisation of a movement, it's almost like a movie in a photo. Editing Some global and local adaptation of exposure, blacks, contrast. This studio has a low white ceiling, I had to darken that. In my camera bag For the studio I usually carry a Nikon D800 with a 85 mm lens. Further, radiotriggers, remote release, batteries, model releases. Feedback Make really sure no light spills on your background. Be patient, the timing and movement is more difficult for the model than it might seem. Leo did a great job! have fun! 20200315 330 Leo.JPG
Lightpainting with a light brush during a long exposure. 20200315 190 Leo.JPG
The model danced with a skeleton moved between two permanent lights during a long exposure. Two flashes were fired on the second curtain. Model: @portfoliosandy 20200213 096 Sandy.JPG
The dancer moved between two permanent lights during a long exposure. Two flashes were fired on the second curtain. Model: @portfoliosandy 20200213 084_2 Sandy
The dancer moved between two permanent lights during a long exposure. Two flashes were fired on the second curtain. Model: @portfoliosandy 20200213 038 Sandy
During a long exposure, the model moved between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain when she jumped. Model: @portfoliosandy 20200213 011 Sandy_2.JPG
During a long exposure, the model moved between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. Model: @anikafseverns 20200211 137 Anika_1.JPG
During a long exposure, the model moved between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. Model: @anikafseverns 20200211 119 Anika.JPG
During a long exposure, the model moved between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. Model: @anikafseverns 20200211 108 Anika_1.JPG
During a long exposure, the model moved between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. Model: @anikafseverns 20200211 089 Anika_1
During a long exposure, the model moved between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. Model: Sharon Weijtmans (modelmanagement.com) 20200130 040 Sharon.JPG
The model danced between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. Model: Vyy Taute 20200125 067b Vyy
Violinist dancing and playing during a long exposure. She danced between two strong honeycombed permanent lights, two honeycombed flashes were fired on the second curtain. 20200120 191.JPG
Violinist with her visualised play. An LED strip was taped to the bow, the camera was panned during a long exposure in the dark. Flashes were fired on the second curtain. 20200120 127_1.JPG
Long exposure with an LED strip on the bow and a flash on the second curtain. Camera was panned during exposure. 20200120 083.JPG
Long exposure / dance Model: Vyy 20200125 095 Vyy.JPG
Projection with just a vertical slit of light, resulting in a shadow silhouette on the face of the model. Model: @michellejkoornneef 20200121 246 Michelle.JPG
Model: @michellejkoornneef 20200121 244 Michelle.JPG
"contrast-rich portraits" Model: Nea Jane 20191024 444 Nea Jane.JPG
"contrast-rich portraits" Model: Nea Jane 20191024 443 Nea Jane.JPG
Lightpainting with two lightbrushes. Model: Kami 20191121 030 Kami.JPG
Model: Kami 20191121 312 Kami.JPG
Model: Kami 20191121 599 Kami.JPG
Long exposure. The model danced between two directional permanent lights. At the end of the exposure, two flashes were fired. Model: M 20200113 062.JPG
Shoot with composer / drummer Hendrik Eichler (hendrikeichler.com). 20181025 338.JPG
Shoot for Doppler Trio (https://www.dopplertrio.com/) 20181025 profiles F1
Light blaster projection with metal gobo Model: @somethingaboutolives 20200113 280.JPG
From the series "contrast-rich portraits" Model: Nea Jane (@neajanemodel) 20191024 351 Nea Jane_1.JPG
From the series "contrast-rich portraits" Model: Nea Jane (@neajanemodel) 20191024 094 Nea Jane.JPG
From the series "contrast-rich portraits" Model: Nea Jane (@neajanemodel) 20191024 046 Nea Jane.JPG
Judo shoot met veel water op het strand met judoka Tim Houwing. 20190915 234.JPG
Jiu Jitsu shoot on the beach with Ian de Man. 20190915 230.JPG
20180809 124.JPG
Judo session on the beach with judokas Tim Houwing and Ian de Man from Lu Gia Jen. 20190915 048.JPG
Judo session on the beach with judokas Tim Houwing and Ian de Man from Lu Gia Jen. 20190915 041.JPG
Studio shoot with Natasha Atego (@natasha.atego). Soft spot on white background; projection of light on her eyes with an metal gobo in a light blaster. 20190309 102.JPG
Shoot with a fire sword on the beach. 20190614 420.JPG
Smoke shoot with Don Chris. 20180628 555 Chris b.JPG
Smoke shoot with Don Chris. 20180628 522 Chris.JPG
Smoke shoot with Don Chris. 20180628 288 Chris.JPG
Smoke shoot with Don Chris. 20180628 299 Chris.JPG
Smoke shoot with Don Chris. 20180628 503 Chris.JPG
Smoke shoot with Don Chris. 20180628 265 Chris.JPG
Model: @roberta_ms5 20190509 0917
Model: Kami (PurplePort) 20190610 0522.JPG
Long exposure on the beach. 20190614 467.JPG
Thierry Schmitter is a kitesurfer who's not stopped by sitting in a wheelchair, his skills are impressive! He straps himself to a seat mounted to his kiteboard ("sit-kite"). We attached a flash to the lines for an evening session on the water in the "Zandmotor", The Hague, the Netherlands. It was fun, we only stopped when it was too dark to focus the camera. 20181002 492.JPG
Body-painting with Kami (purple port) and a skeleton. 20190610 0903b
I met with the model (Zu Ivanova, model mayhem # 4269747) in my studio, which is basically an empty office floor with all its charm and lack thereof. For this shoot, it was a great place. For this part of the shoot, it had to be dark. As my studio cannot be properly darkened, we met on an evening in October and started shooting after sunset. Two strong permanent LED lights with standard reflectors and honeycombs were placed camera-left and camera-right respectively. The model moved between these lights during a long exposure. One, sometimes two flashes were fired on the second curtain, i.e. at the end of the exposure. The flashes also had honeycombs in order to avoid light-spills. The background was made of two black paper rolls and a black curtain, giving us about eight meters of black background. Equipment As equipment I relied on two studio flashes with short flash duration (Godox QT600) with tele-reflectors and honeycombs and two 150W LED lights with standard reflectors and honeycombs. Further a Nikon D800 with a Nikon 85mm lens on a sturdy tripod, radiotrigger for the flashes and a remote shutter release. Black cloth and paper for the background. This setup shows so much more than a standard photograph: The "before" is recorded as well, giving a mystic feeling of time and movement. In other, somewhat more sober words: it's a movie in a photo... Editing I darkened the ceiling and the floor in post. Otherwise, it was some correction of exposure, clarity and contrast. If you'd like to try it, make sure there's absolutely no light on your background (e.g. by using honeycombs and enough distance between the background and the model). With the gritted lights, the model has to stay exactly on the line between the two LED lights, otherwise she's in the dark. It's not easy for the model, be patient. Zu Ivanova did a great job! 20181011 140.JPG
I met with the model (Zu Ivanova, model mayhem # 4269747) in my studio, which is basically an empty office floor with all its charm and lack thereof. For this shoot, it was a great place. For this part of the shoot, it had to be dark. As my studio cannot be properly darkened, we met on an evening in October and started shooting after sunset. Two strong permanent LED lights with standard reflectors and honeycombs were placed camera-left and camera-right respectively. The model moved between these lights during a long exposure. In addition to permanent lights, two flashes were fired manually via a radiotrigger at the beginning, in the middle and at the end of the exposure. The flashes also had honeycombs in order to avoid light-spills. The background was made of two black paper rolls and a black curtain, giving us about eight meters of black background. Equipment As equipment I relied on two studio flashes with short flash duration (Godox QT600) with tele-reflectors and honeycombs and two 150W LED lights with standard reflectors and honeycombs. Further a Nikon D800 with a Nikon 85mm lens on a sturdy tripod, radiotrigger for the flashes and a remote shutter release. Black cloth and paper for the background. This setup shows so much more than a standard photograph: The "before" is recorded as well, giving a mystic feeling of time and movement. In other, somewhat more sober words: it's a movie in a photo... Editing I darkened the ceiling and the floor in post. Otherwise, it was some correction of exposure, clarity and contrast. If you'd like to try it, make sure there's absolutely no light on your background (e.g. by using honeycombs and enough distance between the background and the model). With the gritted lights, the model has to stay exactly on the line between the two LED lights, otherwise she's in the dark. It's not easy for the model, be patient. Zu Ivanova did a great job! 20181011 157.JPG
I met with the model (Zu Ivanova, model mayhem # 4269747) in my studio, which is basically an empty office floor with all its charm and lack thereof. For this shoot, it was a great place. For this part of the shoot, it had to be dark. As my studio cannot be properly darkened, we met on an evening in October and started shooting after sunset. Two strong permanent LED lights with standard reflectors and honeycombs were placed camera-left and camera-right respectively. The model moved between these lights during a long exposure. One, sometimes two flashes were fired on the second curtain, i.e. at the end of the exposure. The flashes also had honeycombs in order to avoid light-spills. The background was made of two black paper rolls and a black curtain, giving us about eight meters of black background. Equipment As equipment I relied on two studio flashes with short flash duration (Godox QT600) with tele-reflectors and honeycombs and two 150W LED lights with standard reflectors and honeycombs. Further a Nikon D800 with a Nikon 85mm lens on a sturdy tripod, radiotrigger for the flashes and a remote shutter release. Black cloth and paper for the background. This setup shows so much more than a standard photograph: The "before" is recorded as well, giving a mystic feeling of time and movement. In other, somewhat more sober words: it's a movie in a photo... Editing I darkened the ceiling and the floor in post. Otherwise, it was some correction of exposure, clarity and contrast. If you'd like to try it, make sure there's absolutely no light on your background (e.g. by using honeycombs and enough distance between the background and the model). With the gritted lights, the model has to stay exactly on the line between the two LED lights, otherwise she's in the dark. It's not easy for the model, be patient. Zu Ivanova did a great job! 20181011 146.JPG
This shoot is part of a series where I play with light and shadow. I met with model @roberta_ms5 in the studio to play with light and shadow. Here we had one flash behind the model, close to a white background, creating the soft white spot on the background. A second flash (a compact flash) was used in combination with a light blaster and a metal gobo, placed to the right of the camera, i.e. the model is looking right at it in this photo. The light-blaster in this case creates nothing but a single fine line of light. As no further light source was used, she remains black where the light of the light blaster does not reach her, making her black silhouette visible in front of the lit background. 20190310 263.JPG
Long exposure with a lightbrush 20190509 1012.JPG
20190509 0747 wm
Body-painting with Roberta_Ms. 20190509 0711.JPG
Body-painting with Roberta_Ms. 20190509 0706.JPG
Contrast-rich portraits with Zu Ivanova (Model Mayhem # 4269747). One hard flash to light the model, a second flash for the white background. A black background was further behind the model, not catching light. 20190218 140.JPG
Contrast-rich portrait session with @Natasha.atego (Model Mayhem # 2328623). 20190309 066
Contrast-rich portrait of Zu Ivanova (Model Mayhem # 4269747). One flash on model's left side, another to light the whie paper background. A black curtain is placed further behind the model. 20190218 094_1.JPG
From a series "contrast-rich portraits". Model: Natasha Atego (Model Mayhem # 2328623). One flash to light the white paper background, another flash to light the model's back. A black background was placed further away behind the model. 20190309 050.JPG
Model: Zu Ivanova (Model Mayhem # 4269747). 20180809 261.JPG
Projection with a light blaster and a metal gobo. Model: Roberta_Ms (Model Mayhem # 4168996). 20190310 112.JPG
From the series "contrast-rich portraits". Model: Zu Ivanova (Model Mayhem # 4269747). 20190218 124.JPG
Lightblaster projection with a metal gobo and a spot on a white background. Model: Roberta_Ms (Model Mayhem # 4168996) 20190310 254_1.JPG
Shoot with drummer / composer Hendrik Eichler. 20190425 055.JPG
Lightblaster shoot with drummer/ composer Hendrik Eichler 20190425 113.JPG
Cover-shoot for Doppler Trio, Hendrik. Long exposure, flash on second curtain. 20181025 118.JPG
20190218 189
High-contrast Portrait. One flash behind the model was used for lighting the white background, one to light the model's left half. Model: Sandy Huisman, @portfoliosandy 20190211 008b
Projection with a Lightblaster, using a metal gobo. Model: Sandy Huisman, @portfoliosandy 20190211 456
Projection with a lightblaster 20190211 399b Model: Sandy Huisman, @portfoliosandy
Jumping
Long exposure with strong permanent lights and flashes on the second curtain.
WASZP night-sailing with Elliott Savelon on the Brasseemermeer, Netherlands. Four compact flashes (Godox TT600) were sealed and taped to the hydrofoil sailboat WASZP.
Long exposure during which a flash was fired three times. Dancer: Zvesdina
Lightblaster session with Arianna (@shrnallof). 20181102 221
Night session with light painting on the beach with Aria Rainbow (Model Mayhem # 3786685). An oil-soaked burning kevlar rope was moved during a long exposure while the model remained motionless.
Sunset session with Aria Rainbow (Model Mayhem # 3786685). The sun was enlarged by using a 600 mm lens. The clouds did not cooperate... 20180717 068
Lightpainting with two lightbrushes. Model: Anoeradha 20180322 067.JPG
Lightpainting with a lightbrush. Model: Zvezdina 20180809 536
Long exposure light painting with a light brush. The brush was also used to move the model's hair during the exposure. 20180809 561
Long exposure with permanent lights and a flash on the second exposure. Dancer: Aria Rainbow 20180927 080
Thierry Schmitter is a kitesurfer who's not stopped by sitting in a wheelchair, his skills are impressive! He straps himself to a seat mounted to his kiteboard ("sit-kite"). We attached a flash to the lines for an evening session on the water in the "Zandmotor", The Hague, the Netherlands. It was fun, we only stopped when it was too dark to focus the camera.
Long exposure with two permanent lights with honecombs in an otherwise dark studio, flash(es) were fired at the end of the exposure. Model: Arianna
Long exposure in the studio with Arianna. Two permanent lights with honecombs in an otherwise dark studio, flash(es) were fired at the end of the exposure.
Light blaster session with Arianna (@shrnallof) 20181102 165
Night session with light painting on the beach with Aria Rainbow (Model Mayhem # 3786685). An oil-soaked burning kevlar rope was moved during a long exposure while the model remained motionless.
Night session with light painting on the beach with Aria Rainbow (Model Mayhem # 3786685). An oil-soaked burning kevlar rope was moved during a long exposure while the model remained motionless.
Night session with light painting on the beach with Aria Rainbow (Model Mayhem # 3786685). An oil-soaked burning kevlar rope was moved during a long exposure while the model remained motionless. 20180717 198
Night session with light painting on the beach with Aria Rainbow (Model Mayhem # 3786685). An oil-soaked burning kevlar rope was moved during a long exposure while the model remained motionless.
Sunset session with Aria Rainbow (Model Mayhem # 3786685). The sun was enlarged by using a 600 mm lens. The clouds did not cooperate... 20180717 032
Night session with light painting on the beach with Aria Rainbow (Model Mayhem # 3786685). An oil-soaked burning kevlar rope was moved during a long exposure while the model remained motionless. 20180717 262
Fire session at night on the beach. A burning, oil-soaked kevlar rope was moved behind the model in a long exposure. Model: Zvezdina (Model Mayhem #: 4269747) 20180531 835
Bodypainting blue and gold
Bodypainting blue and gold
Fire session at night on the beach. A burning, oil-soaked kevlar rope was moved behind the model in a long exposure. Model: Zvezdina (Model Mayhem #: 4269747) 20180531 831 Zvezdina_1
Lightblaster session. 20180112 334
Lightblaster session.
Lightblaster session. 20180112 206
Liquid latex can be sticky when not completely dry... Model: Aria Rainbow 20171211 092
Model: Aria Rainbow 20171211 240_2
Model: Aria Rainbow 20171211 240_1
A water-filled balloon was punctured in the dark during a long exposure. The sound of the bursting balloon was picked up by a sound trigger, which fired three colour-gelled flashes with a delay of a few milliseconds Model: Emilia Melodia (Model Mayhem) 20160906 038
Fire session on the beach with Zvezdina 20180531 861 Zvezdina
Sunset session with Zvezdina (Model Mayhem # 4269747) on the beach. I used a tele-lens for increasing the size of the sun. 20180531 447 Zvezdina
Long exposure fire session on a dutch beach with Zvezdina (Model Mayhem #: 4269747). 20180531 776
Maltese sky. Model: Ikara
Sky and Xlendi Tower were photographed in Xlendi, Gozo, Malta. Model: Ikara
Light blaster session with metal gobo "lines". Model: Satine (Model Mayhem # 3701420). 20170815 018_1
Gelled flashes. Model: Aria Rainbow 20171211 169_1
This photo was taken at the beach in The Hague, The Netherland ona cold evening with a light breeze. We went to the beach just before sunset and prepared everything. Once the sun was gone, we started shooting. I like to have just a bit of the sky in the background, but since the control of the fire's brightness is limited, it is difficult to balance the light and we had to get it done while there was just the right amount of sunlight left Apart from the last bit of sunlight in the background, the only light source is the fire. I used an oil-soaked Kevlar rope, attached to two aluminium rods. The long exposure was triggered remotely (bulb), during which the model has to stand absolutely still, which is not an easy task. This shot was taken with a Nikon D800 with a Tamron 24-70 on a tripod, attached to a radio trigger. The fire was the only light source (apart from what's left of the sunset). For this shoot I also needed oil, a Kevlar rope, aluminium rods, lighter, gloves, black clothing, etc. I like to capture the unreal, the unexpected. The long exposure results in an image that the eye cannot see as such. Creating shapes and figures with fire is a fantastic art. Further inspiration came from Barry Elder (Van Elder Photography) and Benjamin von Wong. I usually shoot RAW to allow for corrections. In some photos, I had to remove ghost images of myself. I finetuned clarity, shadows and overall exposure Equipment I shoot in the studio, on the beach and in a pool, what I pack depends therefore a lot on the kind of shoot. My preferred camera is a Nikon D800 in a hard case with three lenses (85, 24-70, 70-200 mm), triggers, batteries, blank model releases, cables. I often work with flashes (Godox QT600 and TT600, Jinbei HD600, Yongnuo 560III). I also needed oil, a Kevlar rope, aluminium rods, lighter, gloves, etc. Feedback To begin with, play it safe! Make sure there's nothing flammable around. If you shoot with a model, make sure the clothing is not flammable and be careful with long hair too. Have water and / or an extinguisher around. A wet towel helps too. Find a model that can hold still (you'd be surprised how difficult that can be). It'll be easier for the model if she/he can sit. Get a good and reliable radio trigger for bulb exposure. The person holding the fire should be wearing black, including a black face mask and black gloves. Use a tripod. Good starting settings for this shoot are RAW, ISO 100, f/13, bulb, but it all depends on the brightness of the fire, the exposure duration and the ambient light. The focus must be fixed, I like the "back-button" option. Ask your model to hold a light, focus and fix the focus. Your model should then stay on the same spot, it may be a good idea to put a marker down. It's also a good idea to repeat the focusing every now and then. From here on it is (safe) playing and experimenting. Change the pose, change the exposure duration (shorter makes life easier), change the position and movement of the fire. Regularly check focus and exposure. Have fun! Model: Anoeradha 20180416 026
Created with an oil-soaked Kevlar rope in a long exposure. No Photoshop. Model: Anoeradha 20180416 099
Lit by light brush only. Model: Anoeradha 20180322 161.JPG
Two gelled flashes. Model: Anoeradha 20180322 260.JPG
Light painting with a light brush. This specific brush had blackened fibres. Model: Vyy Taute 20180315 167_1
Lit in a long exposure with an EL wire and a strobe on second curtain. 20141220 044 EL-light
Indoor climbing, falling. 20170127 588_1
Sailing a F16 catamaran on the North sea. Very refreshing 20160918 13715b
Sailing a F16 catamaran on the North Sea. 20160918 12707_1
Kitesurfing at night, with a flash attached to the lines of the kite. 20170804 237 Wim
Light Blaster session with Aria Rainbow. 20170816 277
Flour Shoot. Model: Leo Johanna (Mayhem # 775409) http://www.modelmayhem.com/LeoJohanna 20130912 026b Leo
A dress of sand, created from multiple exposures on a dutch beach at sunset. The sand was somewhat wet... 20150902 comp 09
Projection with a light blaster Model: Ikara 20180209 084
A shoot at night on a trampoline with flour. Thanks to the beach restaurant De Kwartel for letting us use their trampoline. 20170731 379
Composition of two shots for the exhibition "shadows" Model: Leo Johanna 20161006 308+315c
Climber going for the top. Lit by three compact flashes attached to the wall and a studio flash on a long lightstand. 20170331 288_2
Photo session with cellist Antonis Pratsinakis in the studio. An LED strip with changing colours was taped to the bow. While the cellist played in the dark, the camera was moved vertically, thereby visualising his music. A flash was fired at the end of the exposure. Inspired by Stephen Orlando. 20171207 128
Projection with a metal gobo in a light blaster. Model: Aria Rainbow 20170816 365 bw
Light blaster session with Shelley Baptiste. 20171201 165 Shelley
Shot underwater using three strobes and a waterpipe / shisha. Model: Emma Jeannette (Model Mayhem No. 3128341). 20150418 129 underwater Emma Jeannet
Long exposure in the dark with a light brush. Model: Aria Rainbow 20170824 106 Aria_1
Photo session with cellist Antonis Pratsinakis in the studio. An LED strip with changing colours was taped to the bow. While the cellist played in the dark, the camera was moved horizontally, thereby visualising his music. A flash was fired at the end of the exposure. Inspired by Stephen Orlando.
Projection with a lightblaster. Model: Aria Rainbow 20170816 037b
Light painting with fire. Shoot for the band Walker White. 20170713 027 Walker White
Long exposure light painting with an LED strip taped to the bow. The portrait on the right is lit by the LED only, with the camera immobile. When the cellist started playing, the camera was panned to the right. A studio flash was fired on the second curtain. Cellist: Antonis Pratsinakis www.antonispratsinakis.com 20171207 170
Long exposure with the simultaneous use of two lightbrushes (white and pink). Model: Aria Rainbow 20170824 236 Aria
Lightpainting with a lightbrush. Model: Aria Rainbow
Light-painting with two light-brushes simultaneously. Model: Aria Rainbow 20170824 199 Aria
Long exposure with a light-brush. Model: Aria Rainbow 20170824 018 Aria
Underwater photo, taken in a pool with three underwater flashes. This is the photo which is "hanging on the wall" in the photo "Reflection from another dimension" Model: Aria Rainbow. 20171006 145a
Two gelled flashes Model Shelley Baptiste 20171201 022 Shelley
Lightpainting with a lightbrush. Model: Aria Rainbow 20170824 044 Aria_1
Light painting with a light brush as only light source. Cellist: Antonis Pratsinakis a.pratsinakis@gmail.com www.antonispratsinakis.com 20171207 288
Light painting with a light-brush. Model: Aria Rainbow 20170824 123 Aria
Projection with a light blaster. Cellist: Antonis Pratsinakis www.antonispratsinakis.com 20171207 313
This image comprises three photos taken on the same day; one taken in the studio, two taken underwater. Model: Aria Rainbow 20171006 048-114 v2
A night on the beach. Yes, she was getting cold. 20150902 304d
Dress of sand, created with the finest dutch sand during an evening session on the beach. Model: Miya Sato (Model Mayhem # 3559858) 20150811 comp7a
We created a veil of light with a lightbrush. Model: Aminta Phersephone (Mayhem # 3822249) 20170523 378
Rose petals were tossed at the model, which had to hold the same pose for several shots. The final result is a compilation of numerous shots. 20161212 dress of roses 4b
The picture is the result of numerous shots. For the effect, the model held the pose for 10 minutes, while leaves were tossed at her. 20161212 3a
Composition for Halloween. 20131019 Halloween 1a
Projection of "UnTill-photography.com" with a light-blaster and a glass gobo on a woman's back. Model: AriaRainbow (Model Mayhem 3786685) http://www.modelmayhem.com/AriaRainbow 20170816 076
Light blaster session with a metal stripe gobo. Model: AriaRainbow (Model Mayhem 3786685) http://www.modelmayhem.com/AriaRainbow 20170816 229
Projection of "UnTill-photography.com" with a light-blaster and a glass gobo on a woman's back. Model: AriaRainbow (Model Mayhem 3786685) http://www.modelmayhem.com/AriaRainbow 20170816 081
Illumination A water-filled balloon was dropped on the model in the dark, gelled flashes were fired by a sound trigger the moment the balloon burst. Surprisingly, the flash with the yellow gel malfunctioned and fired at full power, resulting not only in an overexposure which could be corrected, but also in a longer flash duration. The individual drops moving away from the balloon are therefore shown as thin yellow stripes, an effect I quite liked. 20160904 081b
Projection with a light blaster, using a metal gobo. Model: Vyy Taute (Model Mayhem 2957456), http://www.modelmayhem.com/Vytaute 20170810 041
Cover shoot for the Walker White band (@WALKERWHITEBAND). Long exposure after sunset, light-painting with an oil-soaked Kevlar rope. 20170713 018
Golden bodypaint. 20160326 066_1
Another night on the beach - with a fire dragon and an archer. Long exposure with an oil-soaked burning rope.
Lightpainting with two lightbrushes in the dark. Model: AriaRainbow (Model Mayhem # 3786685), http://www.modelmayhem.com/AriaRainbow
A woman's silhouette in smoke. Composition of two shots. Model: Vyy Taute (Model Mayhem 2957456) 20170810 319 Vyy smoke 1b
A woman's silhouette in smoke. Composition of two shots. Model: Vyy Taute (Model Mayhem 2957456) 20170810 319 Vyy smoke 1d
A water-filled balloon was punctured in the dark during a long exposure. The sound of the bursting balloon was picked up by a sound trigger, which fired three colour-gelled flashes and one white flash with a delay of a few milliseconds. 20160904 048
Shot underwater in a pool with underwater flashes. Model: Layla_B (Model Mayhem # 1010650 20150529 171 Layla_3
Light blaster session with a metal stripe gobo. Model: AriaRainbow (Model Mayhem 3786685) http://www.modelmayhem.com/AriaRainbow 20170816 194
Light blaster session with a metal stripe gobo. Model: Aminta Persephone (Model Mayhem 3822249) http://www.modelmayhem.com/aminta97phersephone 20170105 094
The model was lit using a single compact strobe with a light blaster and a metal gobo, creating the stripes of light and shadow. Model: Leo Johanna (Model Mayhem # 775409) http://www.modelmayhem.com/LeoJohanna 20161006 228b
A water-filled balloon was dropped on the model in the dark, gelled flashes were fired by a sound trigger the moment the balloon burst. Model: Aminta Phersephone (Model Mayhem # 3822249) http://www.modelmayhem.com/aminta97phersephone
A water-filled balloon was placed on the model in near darkness. Gelled flashes were fired by a sound trigger when the balloon burst. I Model: Miya Sato, Model Mayhem # 3559858, http://www.modelmayhem.com/miyasato
wet dog
Long exposure with an oil-soaked burning rope. As shot with minor correction.
Dressed in elements - smoke steam from dry ice in hot water. The steam is poured over the model, covering only part of the body, which requires the model to maintain the same pose over some time. Numerous photographs were combined to create the dress. As the steam is heavier than air, the model has to be reclined, otherwise the steam would not follow the body, the picture was rotated later. Model: Robijn Suasso (https://500px.com/rorotje) (Mayhem # 2574596) http://www.modelmayhem.com/robijnsuasso
Falling into darkness
A waterballoon was popped by a knife hidden in the fist. Outdoor shoot at noon in bright sunlight, the ambient light was excluded by supersyncing flashes.
Not toothless... just trying to get the treat, just visible below.
An LED strip was taped to the bow. The camera was moved during a long exposure in the dark, the exposure was finished with a flash on the second curtain.
A water-filled balloon was dropped on the model in near darkness. Gelled flashes were fired by a sound trigger when the balloon burst. Inspired by Tim Tadder. Model: Miya Sato (Model Mayhem # 355985)
Projection with light-blaster and metal gobo. Model: Vyy Taute (Model Mayhem 2957456)
Moods and emotions. A difficult choice.
Shot underwater, using three Inon S-2000. Model: Emma Jeannette (Mayhem # 3128341)
Composition of various shots. The model had to hold the pose while leaves were tossed at her.
Dressed in elements - water Water was thrown at the model, holding the same pose over some time. Several shots were combined later. As one intuitively closes the eyes when hit by water, the face was taken from a dry shot. Model: Leo Johanna (Mayhem # 775409) http://www.modelmayhem.com/LeoJohanna See less
An oil-soaked Kevlar rope was moved during a long exposure, while the model had to remain frozen.
Flour on a trampoline at night. Inspired by David Schlatter. Model: AriaRainbow (Model Mayhem # 3786685), http://www.modelmayhem.com/AriaRainbow See less
Jumping over the sun from a trampoline
A night on the beach... An assistant threw sand from various angles and with varying speed at the model, which had to hold the pose. The final result is a composition from numerous shots. Model: Miya Sato (Model Mayhem # 3559858)
Flour-trampoline shoot. Model: AriaRainbow (Model Mayhem # 3786685)
flexible black cloth. Model: Leo Johanna (Model Mayhem # 775409)
Golden bodypaint. Model: Leo Johanna (Model Mayhem # 775409)
projection of "UnTill-photography.com" with a glass gobo and a light-blaster. Model: AriaRainbow (Model Mayhem # 3786685)
Water-shoot on the beach with Sarah Brown (modelmanagement.com / @run_into_thewoods
Water-shoot on the beach with Sarah Brown (modelmanagement.com / @run_into_thewoods
Water-shoot on the beach with Sarah Brown (modelmanagement.com / @run_into_thewoods
Light-brush portrait of drummer / composer Hendrik Eichler. 20190425 482.JPG

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